Six House Sounds I Rebuild Every Week
My practical sound-design recipes for emotional pads, organic plucks, hypnotic leads, deep bass, spiritual pads, and club-ready arps in Ableton.
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Read Article →My practical sound-design recipes for emotional pads, organic plucks, hypnotic leads, deep bass, spiritual pads, and club-ready arps in Ableton.
You drag a 48 kHz file into a 44.1 kHz session without thinking. Your DAW converts it in real time. That convenience just cost you the air in your mix.
Your collaborator sends stems at 44.1 kHz / 16-bit. You work at 96 kHz / 24-bit. Someone is about to lose quality—and it is probably both of you.
You open an EQ. You see 30 bands. You have no idea which one to use first. You need a system.
You set your DAW to 48kHz because YouTube recommends it. You set bit depth to 24 because someone said it sounds better. Here's what these numbers actually mean.
You compress. You get pumps. You release. You get distortion. You cannot get the transparency you want. There is another way.
You finish a mix. It sounds good on your headphones. You play it on speakers. It sounds flat. The problem is not your panning.
I keep seeing MIDI 2.0 mentioned in new gear announcements. Is it worth upgrading? What actually changes?